![]() There’s weight to them both in the sense of movement and gravitas, and his gritty, shadowy approach is ideal for the circumstances. Year One is a thriller in its own right.Īs seen by the sample page, Jock draws some fantastic figures. ![]() That was originally written as a cursory afterthought in an earlier era where the purpose was to have a costumed Robin Hood back in civilisation dealing with villains. This is messing with the story as previously told, but it creates a more exciting tale than the one where Queen just hones his bow and arrow skills as a method of survival. That’s draped in a plot of the island as a source of slave labour to cultivate poppies for the drug trade. It repeats the story of the pre-Green Arrow Oliver Queen washing up on a remote beach and using half-remembered archery skills to survive remains intact. What follows is a familiar story to many who’ve followed Green Arrow, so Diggle has to ensure the window dressing remains compulsive reading. They introduce arrogant thrill-seeker Oliver Queen, born to money and with the wonky moral compass often accompanying that. ![]() A smart piece of visual trickery is followed by one hell of a dangerous problem. Vaighan knows a thing or two about writing compulsive comics, and he’s right. Vaughan talks about the importance of hooking readers immediately a story begins, and praises the manner in which Andy Diggle and Jock manage this over the first two pages. ![]()
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